What is the biography of Alberto Giacometti?

What is the biography of Alberto Giacometti?

Biography. Alberto Giacometti ( Italian pronunciation: [alˈbɛrto dʒakoˈmetti]; 10 October 1901 – 11 January 1966) was a Swiss sculptor, painter, draftsman and printmaker. Beginning in 1922, he lived and worked mainly in Paris but regularly visited his hometown Borgonovo to see his family and work on his art. Giacometti was one…

How did Giacometti’s style change over the years?

As Giacometti’s style continued to mature into the 1950s and 60s, his bronze figures grew larger and more complex, ranging from his Woman of Venice II (1956) at nearly four feet tall, to Tall Woman II (1960), towering at close to nine feet. He also devoted more time to portraiture, in both painting and sculpture.

Who was Giacometti’s closest friend?

By the 1930s, Giacometti had been warmly welcomed into Surrealist circles, and he became close to figures such as Man Ray, Joan Miró, André Masson and Max Ernst, as well as the movement’s founders André Breton and Louis Aragon.

Does Giacometti know what a head looks like?

In response to André Breton claiming “everyone knows what a head looks like,” Giacometti explained, “Not me.” Alberto Giacometti, Grande Tête Mince (Grande Tête De Diego ) , circa 1954–55. Sold at Sotheby’s New York for $50 million in November 2013. 11.


What is the Fondation Alberto et Annette Giacometti?

The Fondation Alberto et Annette Giacometti, having received a bequest from Alberto Giacometti’s widow Annette, holds a collection of circa 5,000 works, frequently displayed around the world through exhibitions and long-term loans.

What is Giacometti’s style of sculpture?

These sculptures were subject to his individual viewing experience—between an imaginary yet real, a tangible yet inaccessible space.In Giacometti’s whole body of work, his painting constitutes only a small part. After 1957, however, his figurative paintings were equally as present as his sculptures.

What does Giacometti mean by transformation of reality?

His figures represented human beings alone in the world, turned in on themselves and failing to communicate with their fellows, despite their overwhelming desire to reach out. Calling it “a complete transformation of reality,” Giacometti was struck by a vision after leaving a cinema in Paris.