What is Cubist architecture?
Cubism Architecture brings out conceptions like abstraction, geometrization, symbolism, distortion, fragmentation, and illusion. The buildings are characterized by sharp, clear lines to enable perspective viewing.
How are Cubist and modern architecture related?
Most often the connections between cubist painting and modern architecture were construed analogically, by reference to shared formal qualities such as fragmentation, spatial ambiguity, transparency, and multiplicity; or to techniques used in other media such as film, poetry, and photomontage.
What is a concept model in architecture?
A concept model can be used to enforce a thought process, emotion, feeling, sketch or even a piece of writing; helping to describe and communicate the thinking processes of the architect/designer to the client, design team, colleagues, tutors or even just to themselves.
What is solid and void in architecture?
. Solid is a matter of presence, and Void is absence of it. A solid marks its presence by obscuring some other elements, or at least supporting a myth, if anything is behind it. Voids mean nothingness, like a featureless terrain.
What were the three phases of Cubism?
According to Cooper there was “Early Cubism”, (from 1906 to 1908) when the movement was initially developed in the studios of Picasso and Braque; the second phase being called “High Cubism”, (from 1909 to 1914) during which time Juan Gris emerged as an important exponent (after 1911); and finally Cooper referred to ” …
What is positive and negative space in architecture?
Positive space is the one conceived as a void, then wrapped in a built shell erected to define and contain it. Negative space is created by hollowing out a solid that already exists.
What is space and mass?
Space and mass are the raw materials of architectural form; from them the architect creates an ordered expression through the process of composition.
What were the two major phases of the Cubist movement?
Cubism is often divided into two phases – the Analytic phase (1907-12), and the Synthetic phase (1913 through the 1920s). The initial phase attempted to show objects as the mind, not the eye, perceives them. The Synthetic phase featured works that were composed of fewer and simpler forms, in brighter colours.